I don't condemn anyone for making their choices. If someone chooses those roles, fine. But not for me. When someone stops me and says, You're the reason I became an actress, that lets me know I made the right decision.

How do you project a character if you don't have a sense of where she is from? I've always just gotten on a plane to go to the area to get a sense of what it is like, to smell it, feel the earth, hear people talk, go to the marketplaces.

Ali... we should have gone to see that movie. Malcolm X was another one.

When I attack a role, be it TV, film or stage, the first thing I say is, I don't want to know anything. If it's good I don't want to hear it; if it's bad I don't want to hear it. The only thing either thing can do is distract me. I like to stay focused.

The gratification comes, for me, in the doing of it. And once I've done it, I can't do anything about it if it's good or if it's bad.

I didn't want to be an actress; I never thought of being an actress because, as children, there were three of us - I was the middle child - and we spent our time in church from Sunday morning to Saturday night.

My gratification in working comes from the preparation and the building of the character.

As far as 'Jane Pittman,' I don't know that I could verbalize, to this day, what I felt once I got into that role. I did a tremendous amount of research. I need to feel as though I am in the person's skin.

I don't think you can measure wealth in dollars and cents. I really don't believe that at all because there are some things that money cannot buy. One of them is health. And the other is security in your relationships and friends.

I feel so guilty about the state of young people today. And I say that because our generation fought for everything. We fought to sit down at a counter, to sit on a bus. They were left with nothing to fight for.